Lola Frost & Cherry On Top - Cleo and Mummy


A city that has something in the water and continually produces sublime burlesque talent is Vancouver, British Columbia.  Though Lola Frost has relocated, this act is still full of the sheer energy and sensuality I've come to rely on from those with Vancouver roots.

"Cleo and Mummy" is another act I first encountered during my initial trip to Burlesque Hall of Fame Weekend in 2012, and I admittedly have a special enthusiasm for many of the numbers I witnessed in those shows.  Lola and Cherry are a well-matched, well-rehearsed pair and clearly display loads of chemistry and trust when dancing together.  There is dynamic power exchange, an ebb and flow, driving the action in this number. Both performers claim moments for their characters individually, especially Lola in the act's intro, but this is very much about the duo.

This act needs a big stage to properly hold it. There's so much energetic movement from Lola and Cherry, and those twisty moments of torque-filled unwrapping require quite a bit of real estate to properly execute. I love how they own all of that space and wholly throw themselves into this scenario, transforming an old-fashioned tale of grave robbing and artifact thievery into a quaint yet graceful parable of infatuation, desire, and succumbing to the curse of the undead.

Whenever Hollywood attempts yet ANOTHER reboot of "The Mummy," I request they put this act on their vision board.

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